One Map

At GASPcon and Dreamation, I used a pre-generated region for the playtests, in order to get into regular play as quickly as possible. I do subscribe to the philosophy of Fred Hicks that character creation should play like a game unto itself, but for the purposes of conventions, sometimes compromises become necessary. Since I had a pre-generated region, I produced a map with all the information printed directly on it, invested some time into making it look nice, and had it printed at FedEx Office (the copier chain formerly known as Kinko's). At both cons, the map seemed like a big hit. It happened at Dreamation, too; plenty of people remarked on how unique and evocative they found the map.

In native cultures, that "native" part plays a big role. E. Richard Sorenson describes the sense of space in "preconquest consciousness", saying, "Geographic sensibility was simply affect relationships thrust out onto surroundings. Such geography was haphazard and rarely uniform. It fluctuated over time, from place-toplace and from individual-to-individual." (Sorenson, 1998)

In indigenous societies such as the Native Americans and also the Australian Aborigines, great importance attaches to the relatedness of a person to a particular named place. Such a person might introduce themselves by saying: "I am from this place, and my father's family comes from these mountains, and my mother's from this river." It is only after describing in some detail their relationship to that place, that land, that they can proceed with the business at hand. In Euro-American society, we are much more likely to introduce ourselves and friends by saying "what they do," their profession, accomplishments, and the like. We don't know where we are "from" very often; even if we own a house somewhere, we might not really be "inhabiting" that place with consciousness, or feel at home and rooted there. The Indo-European tribes have always been nomads, wanderers, emigrants and invaders. They invaded Europe, conquering and dominating the aboriginal civilization known as Old Europe, thousands of years before they set sail for the so-called "New World." It has been aptly said, that as the Euro-American descendants of the European invaders and colonizers begin to understand the true story of what happened, perhaps the time for the real discovery of America has now come. (Metzner, 1999).

That "real discovery of America" lies at the heart of the Fifth World. David Abram (1997) also writes powerfully about the centrality of place in the native sense of self, going so far as to claim that "[t]he local earth is, for them, the very matrix of discursive meaning; to force them from their native ecology (for whatever political or economic purpose) is to render them speechless—or to render their speech meaningless—to dislodge them from the very ground of coherence. It is, quite simply, to force them out of their mind."

Naturally, with sentiments like that, a map of the setting has to play a major part in the Fifth World. But the v0.6.0 game that I ran at Dreamation has other maps, as well. The character sheet really presents a relationship map in disguise (I use the term "relationship map" here in its most generic sense, not in the same sense as, say, Ron Edward's Sorcerer). You have a character built up from relationships, so your character sheet really just shows you one nexus in a relationship map. Putting all the character sheets together, you could draw a single map for the story.

I also took an initial step towards another dimension of the setting map in v0.6.0, an admittedly weak step, but an attempt to define each place as an affect, as Sorenson describes it. Abram (1997), Ingold (2005) and Sheridan & Longboat (2006) all discuss the differing assumptions about where imagination comes from. While we assume that imagination comes solely from the human brain, native cultures experience imagination as an ecological function, something that belongs to a place, and they get to participate in it while at that place. In other words, they do not make up stories; they discover them in the landscape.

I wanted this to become an important part of the Fifth World; by defining places with themes, a story moves across a landscape of not just geographical changes, but changes in tone and emotion. I don't think v0.6.0 accomplished that very well, but the movement across the map could still become a movement through the story. In fact, that kind of mirroring of internal and external seems to strike precisely the magical realist tone the game needs.

Biologically, you don't go too far wrong to call an animal a bit of soil ecology that wraps itself up in a skin so it can go for a walk. And when you die, you go right back to living as soil ecology. So, the setting map has places connected by paths; the relationship map has characters connected by relationships; and then you can have a theme map, with themes connected by transitions. In the modern viewpoint, these all need to have their own maps; people don't map to places, and neither map to themes. In the native viewpoint, people exist as places, which express their theme.

So, why not have everything on one map?

You don't need a character sheet—everything you would have on your character sheet already exists on the map. When your relationship with your sister sours, the path connecting your place to hers becomes difficult—which again, strikes precisely the magical/animist realist tone the game needs. Themes arise from the place, and apply to a character like issues in Primetime Adventures. The issue map could also help generate the story. In a collaborative game, you may not want to throw trouble in the way of other players, but blocked paths and conflicting issues on the map can do that for you.

In v0.7.0, I think I can work out the whole game on one map. I don't know if any other game could do this, but because of the native perspective that the Fifth World aims to recreate, I might have a chance at it after all. Ambitious? Definitely. But I don't think this particular game will settle for anything less.

Do you have any ideas, advice, encouragement or feedback? I'd love to hear from you—please comment!

• Abram, D. (1997). The spell of the sensuous: perception and language in a more-than-human world, New York: Vintage.
• Ingold, T. (2005). The perception of the environment: essays on livelihood, dwelling and skill. New York: Routledge.
• Metzner, R. (1995). The place and the story: where ecopsychology and bioregionalism meet, The Trumpeter, 12:3
• Sheridan, J. & Longboat, R.D., The Haudenosanee imagination and the ecology of the sacred, Space and Culture, 9:4, pp. 365-381
• Sorenson, E.R. (1998). Preconquest consciousness, In Helmut Wautischer, Tribal epistemologies: essays in the philosophy of anthropology. Farnham: Ashgate Publishing.

What's in a Name?

You would think that I'd have at least a few simple tasks; like names. Just a line on the character sheet and you're done, right? I wish! This is what E. Richard Sorensen wrote about names in "Preconquest Consciousness":

In these preconquest regions of New Guinea names were rarely binding. What one was called varied according to time, place, mood, and setting. Names were improvised, not formally bestowed, and naming (much like local language flexibility) was often a kind of humorous exploratory play. New names could be quickly coined, often whimsically from events and situations, with a new one coming up at any time. One young boy running in a peculiar way was affectionately dubbed ‘Grasshopper' It stuck. Another was called ‘Kaba’ (short for the prized embokaba beetle) because, during an episode of biting-mouthing play, a friend proclaimed his skin was as delicious as that savory beetle’s flesh. One girl was called 'Aidpost’ following her excitement about the first one in the region; another was called ‘Sleepgood’ by a new friend who liked sleeping with her. A boy from a distant hamlet in the south who tagged along when I went north to the new Australian Patrol Post fled into the jungle in crouched, zigzagging panic when an object he believed to be a metal house abruptly growled and moved. His name became ‘Land Rover’

Names were nicknames. They stuck for a while, then a new one came along. Only when the new (Australian) government began insisting that they use the same name for official dealings, especially in the annual census soon instituted, did formal names emerge. Otherwise, individuals responded to whatever name they knew they might be called.

But even this doesn't go quite far enough, because those informal names come and go so easily because they don't act like nouns at all: they're really verbs. As Willem Larsen wrote:

Because animist languages base themselves in movement/activity, you’ll commonly see the world in terms of verbs, and rarely (or not at all, depending on the particular language) in noun-entities. In Mohawk green also means herbs/greenery/grass; it describes a pattern of appearance, not an entity. In Mohawk, one points out a "hunter" by saying "ratorats," literally "he-hunts." Civilized languages innovated the professional class, thus labels like "Hunt-er," "plumb-er," "farm-er," etc. "He-hunts," "he-plumbs," "she-farms," etc. Notice the difference between calling someone an "artist" and saying that "they create art." Many of us can finally let go of civilized conceptions of success once we click into this thinking—"one day, I’ll be an artist/writer/tracker/hunter-gatherer." Do you make art? Do you write? Do you track? Do you hunt and gather? Only that can we honestly describe. "When will I grow up? When will I feel like an adult?" Do you do adult things? Do you do activity associated with "grown-ups"?

One famous Iroquois speaker, whose name we mistranslate as "Cornplanter," would correctly require us to call him in his native language "He-plants-corn." Your ear has probably picked up on all the Native American names that fit this model, and the few that don’t, which we can easily explain as a similar mistranslation.

In playtests, we ran into a problem where all the names led to confusion. In the new versions, names become boons. You have them in the context of relationships--the name your mother calls you, the name you hold in the tribe, the name you have in dreams, and so on. Hopefully, making names mechanically significant, making them speak to the kind of character you make and the relationships that character has, will both put names more in line with that traditional line of thinking, and make it easier to remember all the different ones you might have.

I Should Have Listened to Willem

All this time that I've spent wondering about skills, I really should have just listened to Willem. He pointed me in the right direction a long time back. As he wrote in his latest magnum opus, "E-Primitive: Rewilding the English Language":

Animist languages seek to describe patterns of activity, and to connect similar patterns to each other. To separate the way of the coyote away from words describing sneaky behavior, destroys connection, destroys layering. In fact, to use the word "coyote" also means to "act like a coyote," or "to sneak." In fact, the word talêpês means most properly "to act like a coyote." ...

So, if you want to sneak around the village, you might coyote around the village; if you want to trick someone, you might coyote them; if you want to devise a clever plan, you want to coyote up a plan. And there you have Flesh, Word, and Breath, respectively: to coyote your Flesh would mean to move in a sneaky manner; to coyote your Word would mean to relate and speak in a sneaky manner; to coyote your Breath would mean to think and imagine in a sneaky manner. One of the points Willem comes back to focuses on restoring the "thickness" of our language; layering it with stories, meanings, and references back to our sensuous engagement with a more-than-human world. I think we could help push that goal forward just with a story-game character that uses "skills" like this.

Giuli and I will spend some time with the Raccoon Creek this weekend, and we plan to take some beads and see if we can start to work something out. I feel like this has given me another one of those big breakthroughs towards making the Fifth World really work, so hopefully next week, we'll have something to report!